My Thoughts, My Views, My Life...
A poet once wrote from her heart, words to impart, what she had only dared dreamed. Then he came along, and changed her words into song, the sweet harmonic melody, that plays from within...and it was good.
My hope is that you will find something here to inspire you to find new ways to express your inner beauty and share it with others so that they too may be encouraged and inspired.
With tomorrow being Father's Day I was inspired to write a poem for all the men out there who stand in the gap. There are so many men (stepfathers, uncle's, coaches and teachers) who provide support and consistency, and most importantly love, to a child whose own biological father, for whatever reason, is not playing an active role in their child's life.
When men choose to mentor to children who are not their own, they are making an investment in the future. It is proven that children who have the benefit of a positive male influence in their early childhood, or who have been parented by both a mother and a father, have a better chance for success.
In June of 2011 the Huffington Post reported that "Nearly One in Three American Children Live Without a Father". The article goes on to say that the number of children living apart from their father has doubled in the last 50 years, with 11% reported in 1960 and 27% in 2010.
In my lifetime I have encountered only a few of the type of men I choose to celebrate in the poem below. Although the words were written for a special man in my life, the poem is dedicated to men everywhere who know the importance of mentoring to a child, and who are strong enough and man enough to consistently be a positive influence in the life of a fatherless child.
On
May 13, 1950 in Saginaw, Michigan, Stevland Hardaway Judkins was the
third of six children born to Calvin Judkins and Lula Mae Hardaway. Due
to the complications associated with being born six weeks prematurely,
he was declared permanently blind just after birth.
When
Stevland was four years old, his parents separated and his mother moved
herself and the children to Detroit, Michigan. His mother legally
changed Stevie's last name from Judkins to Morris, the surname of her
relatives. He continues to use the name "Stevland Morris" to this day.
Young
Stevie was so full of natural, God-given talent that he not only sang
in the choir at Whitestone Baptist Church, but he also played several
instruments; including, among others, the piano, keyboards, harmonica,
and drums, all by the age of 10.
In 1961Ronnie WhiteofThe Miraclesintroduced the young boy toMotown,
and it wasn't long thereafter, at the age of 11, that "Little Stevie
Wonder" would begin his career-long, sometimes rocky, relationship with
the label and its CEO,Berry Gordy.
He was given the stage name "Stevie Wonder" by Clarence Paul, a writer for Motown and one of the young singer's mentors, who is quoted as saying "We can't keep calling him the Eighth Wonder of The World".
His first single, released on theTamla label (a sub-label of Motown) in 1961 was titled, "I Call it Pretty Music, But The Old People Call it The Blues".
He would release two more singles ("Little Water Boy" and Contract on Love") and his first two studio albums (The Jazz Soul of Little Stevie and Tribute to Uncle Ray) all before his smash hit single "Fingertips" was officially released in 1963, launching him onto the national music scene.
While on tour with Motown'sMotortown Revuein June of 1962, Little Stevie Wonder performed "Fingertips" live at the Regal Theater in Chicago, Illinois. Featuring a youngMarvin Gayeon drums, the track which reached the #1 slot onBillboard's Top 100 list.
Over the next few years the "Man-Child Wonder" wrote several songs for Motown, including the smash hit "Tears of a Clown", performed bySmokey Robinsonand the Miracles. He continued to perform and write for the label but also worked on other, Non-Motown, projects.
In 1964 Stevie Wonder played himself in the movieMuscle Beach Party, where he sang the song "Happy Street". He was also featured in the sequelBikini Beach, where he performed the song "Happy Feelin' (Dance and Shout)".
In
his early teens he was told by school administrators that he would have
to give up music until he turned 19 because it was becoming difficult
to keep up with his studies and he did not have access to a tutor while
on tour.
"I went into the bathroom and cried and prayed that God would allow me to remain in the industry, but I just knew it was impossible. One of my teachers told me that I had three strikes against me that must be considered. I was poor, black and blind."
~ Stevie Wonder
His prayers did not go unanswered, and at the age of 18, Stevie Wonder graduated from the Michigan School for The Blind, with Honors, as a very successful and talented musician with a bright future ahead of him.
Stevie
Wonder was breaking and setting records throughout his early career, in
both his music and personal life.
In 1969 he met with thenPresident Richard Nixonat the White House and was presentedwith theDistinguished Service Awardfrom the Committee on Employment of Handicapped People.
His two-year marriage to former Motown secretary and songwriter,Syreeta Wright,
in September 1970 may not have lasted long, but the two remained close
friends and worked on several projects together before she passed away
on July 6, 2004 at the age of 58.
As newlyweds, they co-wrote the songs for Stevie's 1971 albumWhere I'm Coming From, they worked together on Stevie's albumMusic of My Mindand her self-titled album,Syreeta, both in 1972. He also produced and co-wrote her album titledStevie Wonder Presents: Syreetain 1974.
In
May of 1971 Stevie had a lot going on, to say the least. He was turning
21; he was a newlywed; the money that he had earned as a child, that
had been held in trust by a state-appointed guardian, was about to be
turned over to him; and his contract with Motown was about to expire.
It's
sad to note here that even though Stevie Wonder had earned Motown over
thirty million dollars ($30,000,000), at the age of 21, when he received
the money from his trust, it was a mere one million dollars
($1,000,000).
This
fact is part of what fueled the disagreement Stevie now had with the
label. But it wasn't just about the money, although that was, I am sure,
a major part. What Stevie wanted was more creative control over his
music and the rights to the songs he wrote.
So,
in May of 1971 Stevie Wonder would let his contract with Motown expire.
During the time he was away from the label he would write material for
other artists, including theSpinners, in order to showcase and highlight his talents and to strengthen his position in the ongoing contract negotiations.
Eventually
giving in to Stevie's demands the 120-page, seven-year contract with
Motown would give him full creative control over his music, and the
rights to the songs he wrote. He received $13,000,000 and increased
royalty revenues.
A
deal this sweet was unheard of, especially for a Motown artist. It is
thought to be the largest amount paid to an artist in music industry
history at that time.
In 1972 Stevie released his next two albums, Music of My Mind and Talking Book, and he went on tour with theRolling Stones.
He recordedInnervisionsin 1973 and it was released in August, just three days before he would
be involved in a collision that almost killed him, and left him in a
coma.
"I'm so glad that he let me try it again, 'cause my last time on earth I lived a whole lot of sin, I'm so glad that I know more than I knew then, Gonna keep on tryin', 'till I reach my Highest Ground" ~Stevie Wonder,lyrics from "Higher Ground"
The song was written just a couple of months before the accident and Stevie is quoted as saying, "For
me, I wrote Higher Ground even before the accident. But something must
have been telling me that something was going to happen to make me aware
of a lot of things and to get myself together. This is like my second
chance for life, to do something or to do more, and to value the fact
that I am alive."
Stevie
bounced right back after the accident. He was stronger and more
passionate than ever about his music. In 1973 he won his first Grammy
for his song "Superstition". To date he has received a total of twenty-three Grammy Awards, including the Grammy Lifetime Achievement Award.
After releasingSongs in The Key of Lifein 1976, the ever-talented and creative musician didn't release any new
material for awhile. With nothing new being delivered to the label,
Motown put out a compilation of previous hits titledLooking Back.
His next studio album,Hotter Than July, would be his first platinum-selling album.
In 1980 Stevie Wonder became dedicated to the movement to have the birthday of Dr. Martin Luther King, Jr.declared a national holiday. He worked closely with the King family and
often performed at benefit concerts to raise money for the cause.
In 1983 when the bill passed declaring Dr. King's birthday a national holiday, Stevie said this, "Somewhere, Dr. King is smiling, not because his birthday is a holiday, but because he too is convinced that we are moving in the right direction. I know that this day is a day for all Americans to celebrate love, peace and unity. It is not a cure all, but it is a healing aid".
Music
is also a healing aid, and when you love it as much as Stevie does,
what do you do? You create a record label and buy a radio station. His
label, Wondirection, incorporated in September of 1981 and is currently
located in Burbank, California. He purchasedKJLH,
a Los Angeles based radio station in 1983. The call letters "KJLH" have
long been known to stand for Kindness, Joy, Love and Happiness.
In 1985 the talented Mr. Wonder received the Academy Award Oscar for his song "I Just Called to Say I Love You", from his 1983 movie soundtrackLady in Red.
During his acceptance speech he dedicated the award to the then imprisoned South African leaderNelson Mandela. Stevie Wonder's music was banned from all of South Africa shortly after the Oscars.
His humanitarian efforts continued and in 1985 he was one of forty-seven artists to record the song "We Are The World" under the band nameUSA For Africa, whose mission and purpose is toraise money to fight famine and disease in Africa.
He
also participated in demonstrations against apartheid in 1985 and was
arrested outside of the South African Embassy for disturbing the peace.
"They said I was disturbing the peace. I was just singing." ~Stevie Wonder
Stevie
celebrated his 35th birthday by performing before the United Nations.
He was being recognized by them for his work against apartheid and
discrimination.
In
addition to many other charitable endeavors here in the US, the
ever-giving soul has, since 1995, held the annual charity concertHouse Full of Toys.
The event has grown overthe years and many organizations and
individuals now also help to raise money to purchase gifts for
underprivileged children.
Stevie
Wonder has a total of seven children of his own. His first daughter, Aisha Zakia
(African for strength and intelligence), was born to he and Yolanda Simmons on
February 2, 1975. Aisha is the inspiration for the song "Isn't She
Lovely". Stevie and Yolanda gave birth to their son Keita Sawandi in
April of 1977.
He
also has two sons with his current wife, fashion designer Kai Milla
Morris, whom he married in 2001. Kailand Morris and Mandla Kadjay Carl Stevland Morris born May
13, 2005, on Stevie's 55th birthday.
2007 would see the launch ofA Wonder Summer's Night, a thirteen concert tour, his first in over ten years and inspired by the recent passing of his mother.
Lula
Mae Hardaway passed away on May 31, 2006 in Los Angeles, California,
where she had moved in 1975 from Detroit. She is credited with
co-writing several songs with her son during his teen years, including "Signed, Sealed, Delivered, I'm Yours", for which she was nominated for
the 1970 Grammy award for Best R&B Song.
Stevie
Wonder's genius spanning over four decades continues, his musical
creativity continues, he continues to be a humble humanitarian, and he
simply continues to love us all, "always".
"Just as hate knows love's the cure, you can rest your mind assured, that I'll be loving you always" ~Stevie Wonder, lyrics from "As"
One
day I hope to meet the talented Mr. Wonder. I want to tell him that his
music has inspired me, comforted me, made me laugh, and made me cry. I
have grown up living my entire life through his music and his lyrics.
His sound is like no other in my ear, and I want to share with him that I
am thankful to my God, to have known such a talent in my lifetime.
For as long as I can rememberMUSIChas played a major part in the story of my life.
From my earliest memories of Lee singing softly to comfort herself, the words of "Sunshine, my only sunshine, you make me happy when skies are gray", musical beats and lyrical words have occupied a special place in my heart.
And to this day,MUSICcontinues to reside deep inside of me in a very, very special place. How else can I explain the constant melodies playing in my head, and the avalanche of lyrics that come to mind when I engage in everyday conversations.
I'm the go-to girl in my family when it comes to MUSIC. Wanna know who sings a certain song? Need the lyrics? I usually have them, stored in my mental musical library.
I don't have a favorite genre or favorite band, or even a favorite song. To choose only one would be impossible for me. There are way too many.
My love of rhythm and blues comes from my mother, who listened to a lot
of MUSICwhen we were growing up, but who was never as passionate about
it as I am. She mostly played her MUSICat parties or to clean house on Saturdays.
I love country tunes because when I lived in Hawaii and attended school there, I was exposed to Gordon Lightfoot, Kenny Rogers, Dolly Parton, Crystal Gayle, and many other popular country artists of 70's and early 80's. I also discovered the Beatles while in Hawaii, and have loved them ever since.
I love rock and roll because when I was younger I used to scan the radio for all kinds of different MUSIC, and found a lot of local rock and soft rock stations. I would just skip from station to station looking for any song I knew the words to, or had heard before.
I found the songs I liked were playing all over the dial. And, it was also in the 80's when cable television stations like MTV and VH1 were popular and brand new to the teens in my generation.
I love jazz and the blues. I like classical and even some opera. I love gospel, and have "Auntie Opal" to thank for my appreciation of gospel classics like "Day by Day", "I'm a Soldier in The Army of The Lord", and "In the Garden".
These songs ring out in my head from time to time, like an overflowing well, and memories of Auntie Opal, and her kindness, and strictness, run deep.
And, of course, I love hip hop, the official MUSICof my generation.
Let's just say I loveMUSIC, Any kind ofMUSIC, just as long as its groovin!
The O'Jays ~ I Love Music
Soul Train Performance
When I was born, circa 1970,MUSICwas much different than it is today. Back then we listened to 8-track tapes and vinyl records.
In the 70's, artists like Earth Wind and Fire, Frankie Beverly and Maze,
and Stevie Wonder, made "good music" because they enjoyed the feeling
they got from performing and sharing their creations with others.
Earth, Wind & Fire ~ Sing a Song Live in Concert ~ 1981
God-given talent like that cannot be contained, and it brings the artist
tremendous joy to create such musical masterpieces and to be able to share them with others.
Stevie Wonder ~ Sir Duke
"Music is a world within itself, with a language we all understand." ~ Stevie Wonder
It was during this time that I started to phase out my use of 8-track tapes and moved toward the "cassette tape". The cassette was more compact and you could record on both sides. I loved it.
The late 70's and early 80's saw the death of disco and the birth of hip hop. I fell in love with the rhymes of Kurtis Blow, the Sugar Hill Gang, and Grand Master Flash and The Furious Five.
Kurtis Blow ~ The Breaks Soul Train Performance
My step-father always had the latest records at the house, so I was lucky enough to have access to a turn table and no less than one hundred albums at my disposal.
I would sit down and listen to an album over and over again until I had remembered all the lyrics. I loved it when the album would include the lyrics, either on the record sleeve or, if lucky enough, the album would fold open and the lyrics would be right there, in living color.
During this time I also acquired the taste for Teena Marie, Rick James, Smokey Robinson and the Miracles, Marvin Gaye, The Dramatics, etc.
Soul Train became my weekly fix for seeing my favorite songs being performed. I remember when I was younger, and not liking when an artist would perform a song live. They would sing the song slightly different from how it had been released on the album, and to me it just didn't sound right.
It would take me years to get over this. I guess I would have preferred them to just get up there and lip sync to the album, so I could sing along.
Now, I can appreciate a live performance, something I found after attending concerts and live band sessions. The live performance, although slightly different from the album, was and is, always better.
The 90's would bring the end of the vinyl album and the cassette for me, being replaced with a new desire for the compact disc. No more broken needles on the turn table and no more rewinding or fast forwarding tapes. Now we could just "skip" to the track we wanted to hear.
The decade would also deliver what I call market saturation and exploitation of "good music". Overnight it seemed as if everybody and they grand-momma (yeah I said it) was "putting out" their CD. Come on now. Seriously?
Part of what fuels this is that we have artists who are not really all that talented, but they are marketable, or they have a certain connection in the industry, paying for the success of their career (one way or another), or whatever the case may be. The point is, they don't have natural talent, and yet, they are selling records and being played in high rotation on local radio stations.
So now the average Joe is thinking if Such and Such can make a record, he ought to be able to make one, too.
Listening enjoyment aside,MUSICalso helps me to overcome anger or frustration. I simply put on a song and change my mood. Its no surprise that MUSICis often being used in therapy for patients with brain trauma and other health afflictions. It helps patients to lower their blood pressure, and is even being used to assist stroke patients with regaining their speech.
The Healing Power of Music
MUSICis used to honor loved ones, to express love, anger, sadness, and hope. It is used to commemorate historical and significant events.
MUSIChas been around for centuries and it is probably unclear as to its true origin. This makes perfect sense to me. God's nature, the birds singing, the oceans roaring, the wind humming, they all have been harmonizing together since the beginning of time, and that alone is the beginning, period.
MUSICbreaks down language and continental barriers. Consider Michael Jackson, whose talent is appreciated throughout this world, on every continent, and whose MUSICwas and is translated and released in several different languages.
"I am always writing a potpourri of music. I want to give the world escapism through the wonder of great music and to reach the masses" ~ Michael Jackson
The force of energy calledMUSIC, is a mighty force indeed. My love for this art form is just an outward expression of my inner self. If I have trouble communicating how I feel, I can usually find a song that can say exactly what I want to say. To this day there are songs that can make me laugh, or make me cry, or take me back to a time and place when things were different, and they help me to appreciate my present and keep me hopeful for the future.
Today I wish youMUSIC. I hope you have or will find theMUSICof your heart, the "sounds" that soothes your soul and find peace among the melodies.